9/12/2023 0 Comments Dumble amp priceThis digital Dumble clone is customizable along much of the same parameters that you would find on the front end of a classic Dumble amp. In the expansive world of modelled and modded amps in the Positive Grid BIAS Amp Desktop is the ’67 Dumble Clean. You’ve got three options: buddy up to John Mayer, pick up a Dumble amp clone, or go digital. A Digital Dumble Duo: Positive Grid BIAS Amp Desktop and Ableton Liveīut what if a Dumble on the floor is not what you’re looking for? Maybe you want to stare down the front end of the parameters of Dumble and toy with it inside and out. When paired with a Blackface clone, this tiny pedal brings a certain snap and definition that aids in finding that glassy Dumble sound.īenefits of this setup: Not only will this combination provide the responsiveness of a tube-type Blackface amplifier, it also overlays that tonal platform with a bit more punch and clarity-not unlike the contour of the Dumble clean channel. Despite its small footprint and price tag, the SP has a surprising range of controls including a blend knob to dial-in the (un)affected signal and a three-way toggle-switch to manage degrees of compression and sustain. Of the myriad of compressors that could work in this setup, my money’s on the Xotic Effects SP Compressor. Similar to the EQ pedal solution above, a compressor pedal can help round out the edges of your guitar signal before it interacts with the Blackface clone to provide an inviting Dumble-type tone at the edge of clean breakup. On their own, these land in the ballpark of something Dumble-esqe, but it’s possible to inch even closer to that sought after tone by tag-teaming with the right compressor pedal. More economical still are Blackface-in-a-stompbox options, like the Boss FDR-1 or the Wampler Black ’65, both of which offer superb sounds modelled after classic mid-sixties Fender amps. While the price point of the Overdrive Special is out of reach for most, the ratio of original or reissue Blackface amps to Dumbles is about a billion to one and they come at a fraction of the price. Dumble Clean: Pair a Blackface Clone with a CompressorĪt least part of the inspiration of what Alexander Dumble crafted into the tone of the Overdrive Special was the sound Robben Ford achieved by running his rig into the front end of a cranked Fender Blackface amplifier (likely a Super Reverb or Bassman). This approach to achieving something like the fabled mid-rich Dumble sound is also a great experiment for fans of the equally famous yet distinctly different mid-hump profile of the Ibanez Tube Screamer.īenefits of this setup: Much like the Dumble’s fabled ability to make players sound more like themselves, having full control over the EQ enables you to craft a sound that is Dumble-like but all your own. But can it be MacGyvered on the cheap without hiring a clone? This creamy, mid-rich sound can be readily heard in full-fledged Dumble clones like the Van Weelden Royal Overdrive or equally effective simpler solutions like the Mojo Hand FX Dmbl or Mad Professor Simble. Part of the characteristic Dumble sound comes from the tonal shape of that EQ that was rounded in the mid-range. One of the innovations of many Dumble amps that contributed to their ability to push gain without compromising clarity was an internal passive EQ before the overdrive section. Dumble Drive: Arch Your EQ Mids ahead of a Vintage-Voiced DriveĮvery amp and pedal has its sweet spot. So if you’re ready to venture into that realm and explore how the Dumble sound might ignite something new in your gear setup, the following provides three prescriptions for achieving economical variations on the Dumble sound with household stompboxes, boutique effects, and software-based modellers. One common strand to most descriptions of the Dumble tone is that it enables players to sound more like themselves, which is at once an inspiring prospect and a potentially terrifying quality for the loud maker on the other end of your patch cable. Dumble tone is unlike Marshall blues grind or rock roar, not quite in the realm of Vox chime, and is at best a distant cousin of the springy pop of a Fender. In a way, the sound is best described by what it’s not. So what does a Dumble sound like? You tell me.
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